Now showing items 1-2 of 2

  • Aftershocks: Psychotechnics in the wake of apartheid 

    Truscott, Ross; Smith, Michelle (Taylor & Francis, 2016)
    What we at first found intriguing about Simon Gush’s Red, what the documentary and the installation seemed to mutually conjure, was the Mandela car as a body to be mourned.2 Mourning recurred as a latent theme through the ...
  • The ‘Rough edge of deterritorialisation’: Contemplation 

    van Bever Donker, Maurits (Taylor & Francis, 2016)
    To frame this paper, which given its focus on the installation Red should ostensibly deal with a question of aesthetics and technology, with an epigraph that situates the contemplative capacity of a cow alongside the echo ...