Now showing items 1-3 of 3

    • Aftershocks: Psychotechnics in the wake of apartheid 

      Truscott, Ross; Smith, Michelle (Taylor & Francis, 2016)
      What we at first found intriguing about Simon Gush’s Red, what the documentary and the installation seemed to mutually conjure, was the Mandela car as a body to be mourned.2 Mourning recurred as a latent theme through the ...
    • Empathy’s echo: post-apartheid fellow feeling 

      Truscott, Ross (Taylor & Francis, 2016)
      The concept of empathy has been set to work, across a range of fields, to mark a break with the relational patterns of apartheid. Similarly, empathy has been identified, historically, as that which, within apartheid and ...
    • The ‘Rough edge of deterritorialisation’: Contemplation 

      van Bever Donker, Maurits (Taylor & Francis, 2016)
      To frame this paper, which given its focus on the installation Red should ostensibly deal with a question of aesthetics and technology, with an epigraph that situates the contemplative capacity of a cow alongside the echo ...