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Facing the stranger in the mirror: Staged complicities in recent South African performances
(Routledge, 2011)
The staging of complicity has developed into one of the most prevalent trends in
recent South Africa theatre. The audience may become aware of their own
complicity in injustice, or complicity may feature as a subject to ...
Alan Paton’s writing for the stage: towards a non-racial South African theatre
(Taylor & Francis (Routledge), 2007)
Introduction:
It would not be an exaggeration to assert that no South African playwright in the 1950s and 1960s received as much international attention and recognition as Alan Paton, until eclipsed by Athol Fugard’s ...