Now showing items 1-3 of 3
Alan Paton’s writing for the stage: towards a non-racial South African theatre
(Taylor & Francis (Routledge), 2007)
Introduction: It would not be an exaggeration to assert that no South African playwright in the 1950s and 1960s received as much international attention and recognition as Alan Paton, until eclipsed by Athol Fugard’s ...
Alan Paton’s sublime: race, landscape and the transcendence of the liberal imagination
(University of KwaZulu Natal, 2005)
This article develops a postcolonial reading of the sublime by suggesting that aesthetic theories of the sublime were, in their classical philosophical formulations by Edmund Burke and Immanuel Kant, founded on problematic ...
The pregnant man: race, difference and subjectivity in Alan Paton’s Kalahari writing
(Taylor & Francis, co-published with Unisa Press, 2010)
In South African imaginative writing and scholarly research, there is currently an extensive and wide-ranging interest in the ‘Bushman’, either as a tragic figure of colonial history, as a contested site of misrepresentation, ...