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Facing the stranger in the mirror: Staged complicities in recent South African performances
(Routledge, 2011)
The staging of complicity has developed into one of the most prevalent trends in
recent South Africa theatre. The audience may become aware of their own
complicity in injustice, or complicity may feature as a subject to ...
Race, resistance and translation: the case of John Buchan’s UPrester John
(Taylor & Francis (Routledge), 2011)
In postcolonial translation studies, increasing attention is being given to the asymmetrical relationships between dominant and indigenous languages. This paper argues that John Francis Cele’s UPrester John (1958), is not ...
Towards an archaeology of Dusklands
(Institute for the Study of English in Africa, 2011)
This essay seeks to explore the question of origins: the beginnings of the literary career of arguably South Africa's most significant author, and the development of a form of authorship that was, at its inception, situated ...
Coming home, coming out: Achmat Dangor's journeys through myth and Constantin Cavafy
(Taylor & Francis Group, 2011)
Despite his international status, the impact of Constantin Cavafy’s poetry on
South African letters has gone largely unnoticed. This article draws attention
to the range of Cavafy's, influence on the local poets, writers, ...
Notes towards a history of Khoi literature
(Taylor & Francis, 2011)
This article puts forward a revisionist history of Khoi literature, and also presents a number of translated Khoi narratives that have not been available in English before. Compared to the large volume of Bushman literature ...