Browsing Faculty of Arts by Subject "Red"

Now showing items 1-4 of 4

    • Aftershocks: Psychotechnics in the wake of apartheid 

      Truscott, Ross; Smith, Michelle (Taylor & Francis, 2016)
      What we at first found intriguing about Simon Gush’s Red, what the documentary and the installation seemed to mutually conjure, was the Mandela car as a body to be mourned.2 Mourning recurred as a latent theme through the ...

    • Red assembly: The work remains 

      Witz, Leslie; Pohlandt-McCormick, Helena; Minkley, Gary; Mowitt, John (Published by History Department, University of the Western Cape, 2016)
      The work that emerged from the encounter with Red, an art installation by Simon Gush and his collaborators, in the workshop ‘Red Assembly’, held in East London in August 2015, is assembled here in Kronos, the journal of ...

    • The ‘Rough edge of deterritorialisation’: Contemplation 

      van Bever Donker, Maurits (Taylor & Francis, 2016)
      To frame this paper, which given its focus on the installation Red should ostensibly deal with a question of aesthetics and technology, with an epigraph that situates the contemplative capacity of a cow alongside the echo ...

    • ‘The voices of the people involved’: Red, representation and histories of labour 

      Witz, Leslie (Published by History Department, University of the Western Cape, 2016)
      The installation artwork Red by Simon Gush (with his collaborators James Cairns and Mokotjo Mohulo) evokes two senses of representation. One is of symbolism, meaning, visual strategies, juxtapositions, silences and so on. ...