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Fanon in drag: Decoloniality in sociolinguistics?
(Wiley, 2017)
In focus in this paper is the genre of drag, and the uses to which it is put by its proponents in subverting conventional and repressive (Western) models of gender, sexuality and race. We raise the question of to what ...
Performative ethnography: difference and conviviality of everyday multiculturalism in Bellville (Cape Town)
(Taylor & Francis, 2017)
The paper explores the benefits of performative ethnography as a methodological intervention. The intervention discussed in this paper utilizes the persuasive power of aesthetics and performance to attain participation ...
Un/making difference through performance and mediation in contemporary Africa
(Routledge, 2017)
This special issue of the Journal of African Cultural Studies grew out of a panel we organized
at the European Conference on African Studies in Lisbon in June 2013. Our starting point
was the observation of a massive ...
A hip-hopera in Cape Town: The aesthetics, and politics of performing ‘Afrikaaps’
(Taylor & Francis, 2017)
This paper looks into the aesthetics and politics of the ‘hip-hopera’ Afrikaaps. Afrikaaps was produced in 2010 by a group of musicians and spoken-word artists from Cape Town and the rural Western Cape Province of South ...
Mueda massacre: the musical archive
(Taylor & Francis, 2017)
As in Pidjiguiti in Guiné-Bissau or Baixa de Cassanje in Angola, the massacre that occurred in
the northern Mozambican town of Mueda on 16 June 1960 has been inscribed in the
nationalist narrative as the breaking point ...