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‘The voices of the people involved’: Red, representation and histories of labour
(Published by History Department, University of the Western Cape, 2016)
The installation artwork Red by Simon Gush (with his collaborators James Cairns and Mokotjo Mohulo) evokes two senses of representation. One is of symbolism, meaning, visual strategies, juxtapositions, silences and so on. ...
Aftershocks: Psychotechnics in the wake of apartheid
(Taylor & Francis, 2016)
What we at first found intriguing about Simon Gush’s Red, what the documentary and the installation seemed to mutually conjure, was the Mandela car as a body to be mourned.2 Mourning recurred as a latent theme through the ...