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Israel, Paolo (History Department, University of the Western Cape, 2009)[more][less]
Abstract: This article engages a historical reconstruction of the formation of Makonde revolutionary singing in the process of the Mozambican liberation struggle. The history of ʻUtopia liveʼ is here entrusted to wartime genres, marked by heteroglossia and the use of metaphor, and referring to moments when the ʻspace of experienceʼ and the ʻhorizon of expectationʼ of the Struggle were still filled with uncertainty and the sense of possibility. Progressively, however, singing expressions were reorganised around socialismʼs nodes of meaning. Ideological tropes, elaborated by Frelimoʼs ʻcourtlyʼ composers, were appropriated in popular singing. The relations between the ʻpeopleʼ and their leaders were made apparent through the organization of the performance space. The main contention of the article is that unofficiality, heteroglossia, metaphor and poetic license, although they feature in genres that have been marked out as ʻpopularʼ in academic discourse, are by no means intrinsically ʻpopularʼ. Much on the contrary, they are the first victims of populist modes of political actions, that is, of a politics grounded on a concept of ʻpeopleʼ. URI: http://hdl.handle.net/10566/102 Files in this item: 1
IsraelUtopia2009.pdf (3.176Mb) -
Akuupa, Michael (Forum Press, 2010)[more][less]
Abstract: Social scientists who have written about the dynamics of festival rituals have analysed such practices variously as celebrations of commonality, as the enhancement of social cohesion, or as expressions of nostalgia. Festivals have also been studied as spaces, where information is disseminated to the public. This paper demonstrates that in postcolonial Namibia, cultural festivals have become avenues where discourses of difference and belonging are emphasised and contested by local people, festival participants and state officials through a range of ethnic-cultural presentations. The paper is primarily concerned with the ‘making’ of Kavango identity as distinctively different from that of other ethnic groups in postcolonial Namibia. This process takes place in a particular political space, that of the culture festivals, which the state has organised and staged since the mid-1990s. Every year during the Annual National Culture Festivals representatives of Namibia’s various ethnic groups gather to ‘showcase’ and express their diversity. Representatives of the state have time and again emphasised, couched in a discourse of ‘unity in diversity’, the importance of bringing together the country’s previously segregated population groups. The paper shows that while the performers act out diversity through dance and other forms of cultural exhibition, the importance of belonging to the nation and a larger constituency is simultaneously highlighted. URI: http://hdl.handle.net/10566/639 Files in this item: 1
AkuupaCulturalFestivals2010.pdf (248.7Kb) -
Moolla, Fiona F. (Pennsylvania State University Press, 2012)[more][less]
Abstract: The article discusses Somali literature, with particular focus given to the influence of Somali oral poetry and folk tales on modern novels. The difference between the concepts of orature and oral literature is examined, and the history of print and oral literary culture coexisting in Somalia is commented on. URI: http://hdl.handle.net/10566/603 Files in this item: 2
MollarOratureBecomesLiterature2012_1.pdf (232.2Kb) -
van Ryneveld, Hannelore (Association for the Study of Religion in Southern Africa, 2006)[more][less]
Abstract: In 1987 José F. A. Oliver published his first poetry volume Auf-Bruch in Germany. His standing as a German-speaking poet from Spanish-Andalusian stock was linked to the Gastarbeiterliteratur, or migrant worker literature in Germany, a literature that writes from the margins of both the literary and economic world of the Federal Republic of Germany. Developments within Oliver's oeuvre over the past twenty years, how ever, indicate a movement away from the literary periphery into main-stream German literature. This article explores these dynamics, using José F. A. Oliver's writings to illustrate this conjecture. URI: http://hdl.handle.net/10566/180 Files in this item: 1
vanRyneveldOliver2006.pdf (204.2Kb)
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Now showing items 79-82 of 82