Wilhelm Bleek and the Khoisan imagination: a study of censorship, genocide and colonial science

Abstract

In 1864, Wilhelm Bleek published a collection of Khoi narratives titled Reynard the Fox in South Africa, or Hottentot Fables and Tales. This article critically examines this foundational event in South African literary history, arguing that it entailed a Victorian circumscription of the Khoisan imagination, containing its libidinal and transgressive energies within the generic limits of the naıve European children’s folktale. Bleek’s theories of language and race are examined as providing the context for his editorial approach to Khoi narratives in which the original ‘nakedness’ was written out. The extent of Bleek’s censorship of indigenous orature becomes visible when comparing his ‘fables’ to a largely unknown corpus of Khoi tales, collected by the German ethnographer Leonhard Schultze during the Nama genocide in the early twentieth century. The article compares these collections of oral narratives, and suggests that this has implications for the way the famous Bleek and Lloyd /Xam archive was subsequently constituted in the 1870s. Wilhelm Bleek’s interventions in civilising the Khoisan imagination marks a move away from a potentially Rabelaisian trajectory in South African literature through which the Khoisan could be represented and represent themselves. In admitting a sanitised indigenous orature into the colonial literary order, it is argued that Bleek helped to create a restrictive cultural politics in South Africa from which the country is yet to emerge fully.