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“Connecting Mind to Pen, to Eyes, to Face, to Arms and Legs”: Toward a Performative and Decolonial Teaching Practice
(Cambridge University Press, 2020)
The push to sustain online learning platforms that have been established in the wake of Covid-19 at South African universities raises a number of concerns. Apart from highlighting the stark and ongoing social inequities ...
Facing the stranger in the mirror: Staged complicities in recent South African performances
(Routledge, 2011)
The staging of complicity has developed into one of the most prevalent trends in
recent South Africa theatre. The audience may become aware of their own
complicity in injustice, or complicity may feature as a subject to ...
Little perpetrators, witness-bearers and the young and the brave: towards a post-transitional aesthetics
(Taylor & Francis, 2010)
The aesthetic choices characterizing work produced during the transition to democracy have
been well documented. We are currently well into the second decade after the 1994 election -
what then of the period referred to ...
The everyday experience of xenophobia: performing The Crossing from Zimbabwe to South Africa
(RoutledgeUNISA Press, 2010)
Debates on the underlying causes of xenophobia in South Africa have proliferated since
the attacks -between March and May 2008. Our article shows how exploring the everyday
'ordinariness' of xenophobia as performance can ...
I am/am I an African? A relational reading of 'Diaspora and Identity in South African Fiction' by J.U. Jacobs
(AOSIS, 2017)
The publication of Diaspora and Identity in South African Fiction (2016) by J.U. Jacobs is a timely
intervention, in that it is the first comprehensive study of South African fiction to sustain the
argument that South ...
Repeating and disrupting embodied histories through performance: Exhibit A Mies Julie and Itsoseng
(Taylor & Francis, 2013)
The concern about South African arts being - as Achille Mbembe claims - ‘stuck in repetition’
can be challenged by examining developments in the performance arts which deliberately
employ repetition. In these cases ...
Complicit refugees, cosmopolitans and xenophobia: Khaled Hosseini's 'The Kite Runner' and Romesh Gunesekera's 'Reef' in conversation with texts on xenophobia in South Africa
(Common Ground, 2008)
In the aftermath of the brutal xenophobic attacks in parts of South Africa against 'other' Africans between March
and May this year, a fairly sustained (if repetitive) public debate has emerged in the local press. The aim ...
After thought: Why not a prism?
(University of the Western Cape, 2019)
This special issue of Multilingual
Margins is an excellent example
of how the guiding concepts of a
project are put into practice. The framing
of the Re-imagining Multilingualisms
project is presented here in what can ...