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Facing the stranger in the mirror: Staged complicities in recent South African performances
(Routledge, 2011)
The staging of complicity has developed into one of the most prevalent trends in
recent South Africa theatre. The audience may become aware of their own
complicity in injustice, or complicity may feature as a subject to ...
Little perpetrators, witness-bearers and the young and the brave: towards a post-transitional aesthetics
(Taylor & Francis, 2010)
The aesthetic choices characterizing work produced during the transition to democracy have
been well documented. We are currently well into the second decade after the 1994 election -
what then of the period referred to ...