| dc.contributor.author | Grunebaum, Heidi | |
| dc.date.accessioned | 2017-06-13T07:29:23Z | |
| dc.date.available | 2017-06-13T07:29:23Z | |
| dc.date.issued | 2013 | |
| dc.identifier.citation | Grunebaum, H. (2013). Uncontained and the Constraints of Historicism as Method: A reply to Mario Pissarra. Third Text Africa, 3 (1): 86-92 | en_US |
| dc.identifier.issn | 0952-8822 | |
| dc.identifier.uri | http://hdl.handle.net/10566/2981 | |
| dc.description.abstract | Mario Pissarra’s rigorous and considered critical review of Uncontained: Opening the
Community Arts Project archive (2012) marks a significant contribution to starting a
discussion that the book and exhibition aimed to provoke. That an interlocutor of his
authority has undertaken such an attentive and thoughtful critique does the publication a great
service and opens up pathways for further conversation and work on the Community Arts
Project (CAP) art collection at the University of the Western Cape (UWC). I would like to
reciprocate in a similar vein and take up Third Text Africa’s invitation to respond to Pissarra’s
review by thinking about the merits and limits of his critique. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Africa South Art Initiative (ASAI) | en_US |
| dc.rights | Publisher retains copyright. Authors may archive the published version in their Institutional Repository. | |
| dc.subject | Uncontained | en_US |
| dc.subject | Constraints | en_US |
| dc.subject | Historicism | en_US |
| dc.subject | Mario Pissarra | en_US |
| dc.title | Uncontained and the Constraints of Historicism as Method: A reply to Mario Pissarra | en_US |
| dc.type | Article | en_US |
| dc.description.accreditation | Department of HE and Training approved list | |
