English Studies
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Repeating and disrupting embodied histories through performance: Exhibit A Mies Julie and Itsoseng
(Taylor & Francis, 2013)The concern about South African arts being - as Achille Mbembe claims - ‘stuck in repetition’ can be challenged by examining developments in the performance arts which deliberately employ repetition. In these cases ... -
Witness to the makeshift shore: Ecological practice in A Littoral Zone
(UKZN, 2013)This essay suggests that Douglas Livingstone's long poem 'A Littoral Zone' (1991), an explicit conversation between his work as an environmental scientist and his work as a poet, makes for a poetic statement that is, ... -
I am/am I an African? A relational reading of 'Diaspora and Identity in South African Fiction' by J.U. Jacobs
(AOSIS, 2017)The publication of Diaspora and Identity in South African Fiction (2016) by J.U. Jacobs is a timely intervention, in that it is the first comprehensive study of South African fiction to sustain the argument that South ... -
Complicit refugees, cosmopolitans and xenophobia: Khaled Hosseini's 'The Kite Runner' and Romesh Gunesekera's 'Reef' in conversation with texts on xenophobia in South Africa
(Common Ground, 2008)In the aftermath of the brutal xenophobic attacks in parts of South Africa against 'other' Africans between March and May this year, a fairly sustained (if repetitive) public debate has emerged in the local press. The aim ... -
Little perpetrators, witness-bearers and the young and the brave: towards a post-transitional aesthetics
(Taylor & Francis, 2010)The aesthetic choices characterizing work produced during the transition to democracy have been well documented. We are currently well into the second decade after the 1994 election - what then of the period referred to ... -
The everyday experience of xenophobia: performing The Crossing from Zimbabwe to South Africa
(RoutledgeUNISA Press, 2010)Debates on the underlying causes of xenophobia in South Africa have proliferated since the attacks -between March and May 2008. Our article shows how exploring the everyday 'ordinariness' of xenophobia as performance can ... -
Facing the stranger in the mirror: Staged complicities in recent South African performances
(Routledge, 2011)The staging of complicity has developed into one of the most prevalent trends in recent South Africa theatre. The audience may become aware of their own complicity in injustice, or complicity may feature as a subject to ... -
'A glimpse into Bushman mythology': interpretation, power and knowledge
(Routledge, 2017)In 1873, Qing, a young man of Bushman background, recounted a cycle of stories and commented on some of the rock paintings he and the magistrate Joseph Orpen saw on a journey through the Maloti mountains. A year later ... -
"Where the mask ends and the face begins is not certain": Mediating ethnicity and cheating geography in Jonny Steinberg's Little Liberia
(Routledge, 2013)Mixing historical commentary, reportage, biography and personal stories, South African writer Jonny Steinberg takes up the tale of a fractured African nation and its diaspora in Little Liberia: An African Odyssey in New ... -
Lecturers’ perceptions: the value of assessment rubrics for informing teaching practice and curriculum review and development
(Taylor and Francis, 2015)The assessment rubric is increasingly gaining recognition as a valuable tool in teaching and learning in higher education. While many studies have examined the value of rubrics for students, research into the lecturers’ ... -
The Boer and the jackal: Satire and resistance in Khoi orature
(University of the Western Cape, 2014)Bushman narratives have been the subject of a large volume of scholarly and popular studies, particularly publications that have engaged with the Bleek and Lloyd archive. Khoi story-telling has attracted much less attention. ... -
Der Aspekt der Einfühlungsästhetik in André Brinks The Other Side of Silence
(Peter Lang, 2014)There are many opinions about what constitutes a postcolonial novel. The act of representation is part of this controversy: which voices should be represented by the narrator and which should remain silent? This aspect ... -
The importance of confronting a colonial, patriarchal and racist past in addressing post-apartheid sexual violence
(UNISA, 2013)This commentary uses Judge Willem van der Merwe’s rescripting of Rudyard Kipling’s ‘If’ poem during the Jacob Zuma rape trial as a starting point to argue for the importance of understanding the ways in which spectres of ... -
The muslim "who has faith" in Leila Aboulela's novels Minaret (2005) and Lyrics Alley (2009)
(Taylor & Francis, 2013)This essay analyses Leila Aboulela's narrative techniques when depicting a Muslim “who has faith” in her two most recent novels. In Minaret she presents religion as a source of strength for her female narrator-protagonist ... -
Introduction: Religion and spirituality in a postcolonial context
(Taylor and Francis, 2008)This Special Issue emerges out of an interdisciplinary research project on “Religion and Spirituality in a Postcolonial Context” run jointly by the University of KwaZulu-Natal and the Ferguson Centre for African and ... -
Introducing e-learning in a South African Higher Education institution: challenges arising from an intervention and possible responses
(Blackwell, 2013)This article draws on research conducted at a tertiary institution in South Africa as part of the redesigning of an English for Educational Development (EED) course to include an e-learning online discussion component. ... -
Students’ navigation of the uncharted territories of academic writing
(Taylor & Francis, 2013)Many students enter tertiary education unfamiliar with the ‘norms and conventions’ of their disciplines. Research into academic literacies has shown that in order to succeed in their studies, students are expected to ... -
The pregnant man: race, difference and subjectivity in Alan Paton’s Kalahari writing
(Taylor & Francis, co-published with Unisa Press, 2010)In South African imaginative writing and scholarly research, there is currently an extensive and wide-ranging interest in the ‘Bushman’, either as a tragic figure of colonial history, as a contested site of misrepresentation, ... -
Alan Paton’s sublime: race, landscape and the transcendence of the liberal imagination
(University of KwaZulu Natal, 2005)This article develops a postcolonial reading of the sublime by suggesting that aesthetic theories of the sublime were, in their classical philosophical formulations by Edmund Burke and Immanuel Kant, founded on problematic ... -
Wilhelm Bleek and the Khoisan imagination: a study of censorship, genocide and colonial science
(Taylor & Francis Group, 2012)In 1864, Wilhelm Bleek published a collection of Khoi narratives titled Reynard the Fox in South Africa, or Hottentot Fables and Tales. This article critically examines this foundational event in South African literary ...
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