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Eastern Cape Bloodlines I: Assembling the Human
(Taylor & Francis, 2016)
This is an article less about red as installation, colour or symbol, and more
about assembly.1 I have used Red, the installation by Simon Gush, as provocation
to think of exhumation, its work and processes of ...
Red assembly: The work remains
(Published by History Department, University of the Western Cape, 2016)
The work that emerged from the encounter with Red, an art installation by Simon
Gush and his collaborators, in the workshop ‘Red Assembly’, held in East London in
August 2015, is assembled here in Kronos, the journal of ...
‘The voices of the people involved’: Red, representation and histories of labour
(Published by History Department, University of the Western Cape, 2016)
The installation artwork Red by Simon Gush (with his collaborators James Cairns and Mokotjo Mohulo) evokes two senses of representation. One is of symbolism, meaning, visual strategies, juxtapositions, silences and so on. ...
Betwixt the oceans: The Chief Immigration Officer in Cape Town, Clarence Wilfred Cousins (1905–1915)
(Taylor & Francis, 2016)
Drawing on the personal and official papers of an immigration officer, this article highlights his personality, social life, and the quotidian aspects of his work at the port. By placing the officer at the centre, instead ...
Durban and Cape Town as port cities: Reconsidering Southern African studies from the Indian Ocean
(Taylor & Francis, 2016)
This special issue arose out of a workshop titled ‘Durban and Cape Town as Indian Ocean Port
Cities: Reconsidering Southern African Studies from the Indian Ocean’, held at the University of the Western Cape in September ...