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dc.contributor.authorArora, Swati
dc.date.accessioned2023-03-06T10:35:54Z
dc.date.available2023-03-06T10:35:54Z
dc.date.issued2019
dc.identifier.citationArora, S. (2019). Be a little careful: Women, violence, and performance in India. New Theatre Quarterly, 35 (1) ,3-18. https://doi.org/10.1017/S0266464X1800057Xen_US
dc.identifier.issn1474-0613
dc.identifier.urihttps://doi.org/10.1017/S0266464X1800057X
dc.identifier.urihttp://hdl.handle.net/10566/8538
dc.description.abstractIn this article Swati Arora analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and exploring its engagement with feminist discourse and the national imaginary of India. It highlights the workings of the cultural economy of the city, which is defined by its spatial contours as well as the privileges of caste, class, sexuality, and ethnicity, and at the same time explores the heterogeneous nature of the country's feminist movement through an intersectional perspective. Swati Arora argues that the concerns raised by Thoda Dhyaan Se are limited to urban, middle-class, and upper-caste women and overlook the oppressive realities of women from non-urban, lower-class, and lower-caste backgrounds. With conversations around gender focused through campaigns like #MeToo and #TImesUp, it is important to contextualize the voices that are articulated and those that are excluded. Swati Arora is an Andrew W. Mellon postdoctoral fellow at the Centre for Humanities Research, University of the Western Cape.en_US
dc.language.isoenen_US
dc.publisherCambridge University Pressen_US
dc.subjectGenderen_US
dc.subjectFeminismen_US
dc.subjectViolenceen_US
dc.subjectEconomyen_US
dc.subjectIndiaen_US
dc.titleBe a little careful: Women, violence, and performance in Indiaen_US
dc.typeArticleen_US


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